Leanne, Ian, Sue, Kristy, and I are so excited that so many people have decided to get involved in project to examine poetry, multimodality, response and authorship. The craziest part of the project is we told you from the beginning we were not going to tell you what you were going to do.
Well now it is week four and it is time to begin the next phase. During weeks four, five, and six we will examine the work of Robert Hass, the catalyst of this project. I will will send out an update each weekend sharing the task. The goal is to expand our notion of collaborative authorship and our definition of texts.
So each week we will throw some fun curve balls as we discuss Hass’s work. Robert Hass is known for describing everyday events and objects in the simplest, yet most complicated way. He can take the smallest object as he walks his world and then masterfully add layers of meaning.
This skills creates a sense of beauty in his work that allows the reader to peer into multiple perspectives. It is as if the poem can contain many voices all coming through one narrator.
We want you to explore this phenomenon over the next weeks.
You will complete a two part poetry analysis
For our first week of poetry analysis we will keep it simple, in both authors and texts. All you have to do is select one of the three poems below and describe how Hass used everyday objects. Explore the connotative meaning of his description. Describe the many layers of thought and perspective. Okay, maybe not so simple is it?
You can do your description as a Google Doc, a blog post, or even a YouTube video (I can’t help myself. Not everyone is verbocentric). It can be an expository or poetic exploration. Just remember to share your analysis using the hashtag #walkmyworld.
Then think back to the images you have posted. The #WALKMYWORLD project is inspired by the life and work of Poet Laureate Robert Hass. We were inspired by the following critique of Field Guide, the first poetry collection by Hass:
Field Guide is a means of naming things, of establishing an identity through one’s surroundings, of translating the natural world into one’s private history. This is a lot to accomplish, yet Robert Hass manages it with clarity and compassion.” Hass confirmed his ability with Praise (1979), his second volume of poems, which won the William Carlos Williams Award. “In many ways,” Gander explained, “Praise addresses the problems implicit in the first book: Can the act of naming the world separate us from the world? How is it possible to bear grief, to accept death, and how can the spirit endure?”
Either on Twitter or in a blogpost address the following prompts:
In what ways are you establishing your own identity through your naming of things?
In your naming of things in the #WALKMYWORLD project, how are you sharing your own private history?
How does your naming and identification of your world separate you from the world?
image credit: Florianda. Walk in the Light https://www.deviantart.com/art/walk-in-the-light-41555589